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Abbey Road Studios
National Trust
Wed 17 Feb 2010 15:43
Hottest subject of conversation in my office today is the possible acquisition of Abbey Road studios. Apparently possibly to be paid for by Macca, then given to the National Trust as a gift.

What do you reckon should be done with it?
Thu 18 Feb 2010 10:41
Reply to Post 63813 by Carldeacon in Abbey Road Studios Hottest subject of conversation in my office today is the possible acquisition of Abbey Road studios. Apparently possibly to be paid for by Macca, then given to the National Trust as a gift.

What do you reckon should be done with it?


It's a very important piece of musical heritage and Macca probably wipes his arse with £50 notes so yeah he should do the decent thing and buy it as a gift for the National Trust, they can then exploit tourists by charging them obscene amounts of money to stand in the room where The Fabs and others recorded their legendary music.
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Thu 18 Feb 2010 16:09
In my day, musicians were wild outcasts, heading for hell weirdos, rebels and general wasters, separated from normal society. Honest, to be (or want to be) a musician marked you out as different - a bit of a freak, it really did.

Now we have a legion of 'music dads' (like football dads but into strats not stats), encouraging their kids, offering them every opportunity to play music. They might well also take them to the odd NT property every now and then, so it is a logical fit. Shouldn't moan mind you. I'm one of these myself now and know plenty of other chaps who are just the same.

But really. Abbey Road .... in National Trust hands? Whatever next? Iggy Pop advertising car insurance? Dave Franklin writing for the Adver?

No doubt at all in my mind now. Rock and Roll has indeed been tamed by the establishment.
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Music
Poetry
Post last edited by stonepoem - 18/02/10 - 16:25
Mon 22 Feb 2010 16:50
EMI aren't selling it

http://news.bbc.co.uk/1/hi/england/london/8527095.stm

With those kind of loses, selling Abbey Road for £30 million won't help a single bit and end up costing them more as EMI find themselves having to pay to send their acts to other studios and no income from bands and orchestras recording at their studio, or mixing/mastering there.
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Post last edited by Haze - 22/02/10 - 16:52